਍㰀洀攀琀愀 渀愀洀攀㴀倀爀漀最䤀搀 挀漀渀琀攀渀琀㴀䘀爀漀渀琀倀愀最攀⸀䔀搀椀琀漀爀⸀䐀漀挀甀洀攀渀琀㸀ഀഀ ਍㰀洀攀琀愀 渀愀洀攀㴀伀爀椀最椀渀愀琀漀爀 挀漀渀琀攀渀琀㴀∀䴀椀挀爀漀猀漀昀琀 圀漀爀搀 ㄀㈀∀㸀ഀഀ ਍㰀琀椀琀氀攀㸀䰀攀猀 䰀攀琀琀爀攀猀 搀攀 䰀愀甀爀攀氀椀渀攀 䄀洀愀渀椀攀甀砀㨀 䰀攀猀 匀挀栀渀攀琀稀氀攀爀 攀琀 氀愀 瘀椀氀氀攀 爀愀搀椀愀渀琀攀⸀㰀⼀琀椀琀氀攀㸀ഀഀ ਍ 㰀漀㨀䐀漀挀甀洀攀渀琀倀爀漀瀀攀爀琀椀攀猀㸀ഀഀ ਍  㰀漀㨀䰀愀猀琀䄀甀琀栀漀爀㸀 㰀⼀漀㨀䰀愀猀琀䄀甀琀栀漀爀㸀ഀഀ 2 ਍  㰀漀㨀吀漀琀愀氀吀椀洀攀㸀㄀㰀⼀漀㨀吀漀琀愀氀吀椀洀攀㸀ഀഀ 2009-10-19T14:39:00Z ਍  㰀漀㨀䰀愀猀琀匀愀瘀攀搀㸀㈀  㤀ⴀ㄀ ⴀ㄀㤀吀㄀㐀㨀㌀㤀㨀  娀㰀⼀漀㨀䰀愀猀琀匀愀瘀攀搀㸀ഀഀ 2 ਍  㰀漀㨀圀漀爀搀猀㸀㐀㔀㤀㰀⼀漀㨀圀漀爀搀猀㸀ഀഀ 2618 ਍  㰀漀㨀䰀椀渀攀猀㸀㈀㄀㰀⼀漀㨀䰀椀渀攀猀㸀ഀഀ 6 ਍  㰀漀㨀䌀栀愀爀愀挀琀攀爀猀圀椀琀栀匀瀀愀挀攀猀㸀㌀ 㜀㄀㰀⼀漀㨀䌀栀愀爀愀挀琀攀爀猀圀椀琀栀匀瀀愀挀攀猀㸀ഀഀ 12.00 ਍ 㰀⼀漀㨀䐀漀挀甀洀攀渀琀倀爀漀瀀攀爀琀椀攀猀㸀ഀഀ ਍㰀氀椀渀欀 爀攀氀㴀琀栀攀洀攀䐀愀琀愀 栀爀攀昀㴀∀䰀愀甀爀攀氀椀渀攀䈀氀漀最开昀椀氀攀猀⼀琀栀攀洀攀搀愀琀愀⸀琀栀洀砀∀㸀ഀഀ ਍㰀℀ⴀⴀ嬀椀昀 最琀攀 洀猀漀 㤀崀㸀㰀砀洀氀㸀ഀഀ ਍  㰀眀㨀䜀爀愀洀洀愀爀匀琀愀琀攀㸀䌀氀攀愀渀㰀⼀眀㨀䜀爀愀洀洀愀爀匀琀愀琀攀㸀ഀഀ false ਍  㰀眀㨀吀爀愀挀欀䘀漀爀洀愀琀琀椀渀最⼀㸀ഀഀ ਍  㰀眀㨀匀愀瘀攀䤀昀堀䴀䰀䤀渀瘀愀氀椀搀㸀昀愀氀猀攀㰀⼀眀㨀匀愀瘀攀䤀昀堀䴀䰀䤀渀瘀愀氀椀搀㸀ഀഀ false ਍  㰀眀㨀䄀氀眀愀礀猀匀栀漀眀倀氀愀挀攀栀漀氀搀攀爀吀攀砀琀㸀昀愀氀猀攀㰀⼀眀㨀䄀氀眀愀礀猀匀栀漀眀倀氀愀挀攀栀漀氀搀攀爀吀攀砀琀㸀ഀഀ ਍  㰀眀㨀䰀椀搀吀栀攀洀攀伀琀栀攀爀㸀䔀一ⴀ唀匀㰀⼀眀㨀䰀椀搀吀栀攀洀攀伀琀栀攀爀㸀ഀഀ X-NONE ਍  㰀眀㨀䰀椀搀吀栀攀洀攀䌀漀洀瀀氀攀砀匀挀爀椀瀀琀㸀堀ⴀ一伀一䔀㰀⼀眀㨀䰀椀搀吀栀攀洀攀䌀漀洀瀀氀攀砀匀挀爀椀瀀琀㸀ഀഀ ਍   㰀眀㨀䈀爀攀愀欀圀爀愀瀀瀀攀搀吀愀戀氀攀猀⼀㸀ഀഀ ਍   㰀眀㨀圀爀愀瀀吀攀砀琀圀椀琀栀倀甀渀挀琀⼀㸀ഀഀ ਍   㰀眀㨀䐀漀渀琀䜀爀漀眀䄀甀琀漀昀椀琀⼀㸀ഀഀ ਍   㰀眀㨀䘀䔀䰀椀渀攀䈀爀攀愀欀㄀㄀⼀㸀ഀഀ ਍   㰀眀㨀䐀漀渀琀䄀甀琀漀昀椀琀䌀漀渀猀琀爀愀椀渀攀搀吀愀戀氀攀猀⼀㸀ഀഀ ਍   㰀眀㨀䠀愀渀最甀氀圀椀搀琀栀䰀椀欀攀圀圀㄀㄀⼀㸀ഀഀ ਍  㰀⼀眀㨀䌀漀洀瀀愀琀椀戀椀氀椀琀礀㸀ഀഀ MicrosoftInternetExplorer4 ਍  㰀洀㨀洀愀琀栀倀爀㸀ഀഀ ਍   㰀洀㨀戀爀欀䈀椀渀 洀㨀瘀愀氀㴀∀戀攀昀漀爀攀∀⼀㸀ഀഀ ਍   㰀洀㨀猀洀愀氀氀䘀爀愀挀 洀㨀瘀愀氀㴀∀漀昀昀∀⼀㸀ഀഀ ਍   㰀洀㨀氀䴀愀爀最椀渀 洀㨀瘀愀氀㴀∀ ∀⼀㸀ഀഀ ਍   㰀洀㨀搀攀昀䨀挀 洀㨀瘀愀氀㴀∀挀攀渀琀攀爀䜀爀漀甀瀀∀⼀㸀ഀഀ ਍   㰀洀㨀椀渀琀䰀椀洀 洀㨀瘀愀氀㴀∀猀甀戀匀甀瀀∀⼀㸀ഀഀ ਍  㰀⼀洀㨀洀愀琀栀倀爀㸀㰀⼀眀㨀圀漀爀搀䐀漀挀甀洀攀渀琀㸀ഀഀ ਍㰀⼀栀攀愀搀㸀ഀഀ ਍㰀戀漀搀礀 戀最挀漀氀漀爀㴀∀⌀䔀 䔀 䔀 ∀ 氀愀渀最㴀䔀一ⴀ唀匀 氀椀渀欀㴀∀⌀    ㌀㌀∀ 瘀氀椀渀欀㴀∀⌀    ㌀㌀∀ഀഀ style='tab-interval:.5in'> ਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ

਍ഀഀ

What ਍搀漀攀猀 愀 戀攀渀挀栀 搀漀 椀渀 琀栀攀 渀椀最栀琀 漀昀 琀栀攀 挀椀琀礀 眀栀椀氀攀 䤀 猀氀攀攀瀀㼀 䐀漀攀猀 椀琀 猀甀昀昀攀爀 昀爀漀洀 椀琀猀ഀഀ sudden solitude or get lost finally in the contemplation of the moon on the ਍眀愀琀攀爀 眀椀琀栀漀甀琀 愀渀礀漀渀攀 琀漀 漀戀猀琀爀甀挀琀 琀栀攀 瘀椀攀眀㼀 㰀戀㸀吀栀攀爀攀 椀猀 愀氀眀愀礀猀 椀渀 琀栀攀 瀀栀漀琀漀猀 漀昀ഀഀ Manu and Greta Schnetzler a dual emotion: we are in turn seized by a ਍昀攀攀氀椀渀最 漀昀 搀攀瘀愀猀琀愀琀椀漀渀 漀爀 漀瘀攀爀琀愀欀攀渀 戀礀 琀栀攀 瀀攀愀挀攀 琀栀愀琀 攀洀愀渀愀琀攀猀 昀爀漀洀 琀栀攀 昀漀爀洀猀ഀഀ empty of all humanity. The bench lives much more without the trace of a ਍戀漀搀礀⸀㰀猀琀爀漀渀最㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀嘀攀爀搀愀渀愀∀Ⰰ∀猀愀渀猀ⴀ猀攀爀椀昀∀✀㸀 㰀⼀猀瀀愀渀㸀㰀⼀猀琀爀漀渀最㸀㰀⼀戀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀഀ ਍㰀瀀 猀琀礀氀攀㴀✀洀愀爀最椀渀ⴀ氀攀昀琀㨀ⴀ㘀㌀⸀ 瀀琀㬀氀椀渀攀ⴀ栀攀椀最栀琀㨀㄀㠀⸀ 瀀琀✀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ猀椀稀攀㨀㄀ ⸀ 瀀琀㬀ഀഀ font-family:"Verdana","sans-serif";color:#333333'>Would Man would be too much ਍椀渀 愀 猀欀礀 猀漀 瘀愀猀琀 愀渀搀 猀漀 瀀甀爀攀㼀 吀栀攀 匀挀栀渀攀琀稀氀攀爀 眀攀戀猀椀琀攀 漀瀀攀渀猀 戀礀 琀栀椀猀 焀甀漀琀攀㨀ഀഀ "It is horrifying that we have to fight our own government to save the ਍攀渀瘀椀爀漀渀洀攀渀琀⸀☀焀甀漀琀㬀 㰀猀瀀愀渀 挀氀愀猀猀㴀䜀爀愀洀䔀㸀☀焀甀漀琀㬀ⴀ䄀渀猀攀氀 䄀搀愀洀猀☀焀甀漀琀㬀⸀㰀⼀猀瀀愀渀㸀 一愀琀甀爀攀ഀഀ and the city seem to have chased away humanity. And yet, their photographs ਍戀礀 琀栀椀猀 甀猀攀 漀昀 愀渀 愀氀洀漀猀琀 昀愀渀琀愀猀琀椀挀 氀椀最栀琀 猀氀漀眀攀搀 戀礀 琀栀攀 挀愀洀攀爀愀 氀攀渀猀Ⰰ 爀攀挀漀渀挀椀氀攀猀ഀഀ me with the city as if it was an integral part of the splendor

਍ഀഀ


਍㰀⼀猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ猀椀稀攀㨀㄀ ⸀ 瀀琀㬀昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀嘀攀爀搀愀渀愀∀Ⰰ∀猀愀渀猀ⴀ猀攀爀椀昀∀㬀ഀഀ color:#333333'>And this shattered house still resists. I discovered this photo ਍攀砀愀挀琀氀礀 漀渀攀 礀攀愀爀 愀最漀 搀甀爀椀渀最 琀栀攀 匀挀栀渀攀琀稀氀攀爀猀ᤀ†伀瀀攀渀 匀琀甀搀椀漀 攀砀栀椀戀椀琀 椀渀 匀愀渀ഀഀ Francisco. The house has looked into the face of the hurricane of ਍㰀猀琀㄀㨀䌀椀琀礀ഀഀ w:st="on">New Orleans, but it has ਍渀漀琀 氀攀琀 椀琀猀攀氀昀 戀攀 猀眀愀氀氀漀眀攀搀 甀瀀 戀礀 琀栀攀 眀愀琀攀爀Ⰰ 椀琀 栀漀氀搀猀 戀礀 樀甀猀琀 椀琀猀 爀攀昀氀攀挀琀椀漀渀⸀㰀⼀戀㸀ഀഀ After the terrifying onslaught of the elements, it still suspends a horizon ਍戀攀琀眀攀攀渀 攀愀爀琀栀 愀渀搀 栀攀愀瘀攀渀 琀栀愀琀 眀椀琀栀漀甀琀 椀琀 愀氀氀 眀漀甀氀搀 戀氀攀渀搀 椀渀琀漀 琀栀攀 猀愀洀攀 椀渀搀椀最漀⸀ഀഀ We feel the human suffering from what has made this ghostly refuge in the raw ਍猀琀愀琀攀Ⰰ 戀甀琀 愀琀 琀栀攀 猀愀洀攀 琀椀洀攀 眀攀 愀爀攀 愀洀愀稀攀搀 琀漀 猀攀攀 椀琀 爀攀猀琀椀渀最 椀渀 琀栀攀 猀甀爀爀攀愀氀氀礀ഀഀ calm waters at dusk: it is again a dual force.

਍ഀഀ

਍ഀഀ
਍ഀഀ

this glow the Schnetzlers are ਍愀戀氀攀 琀漀 挀愀瀀琀甀爀攀Ⰰ 琀栀椀猀 戀氀椀渀搀椀渀最 爀愀搀椀愀渀挀攀 愀渀搀Ⰰ 琀栀愀渀欀猀 琀漀 琀栀攀椀爀 愀爀琀Ⰰ㰀⼀猀瀀愀渀㸀㰀猀瀀愀渀ഀഀ style='font-size:10.0pt;font-family:"Verdana","sans-serif";color:#333333; ਍洀猀漀ⴀ愀渀猀椀ⴀ氀愀渀最甀愀最攀㨀䘀刀✀㸀 㰀⼀猀瀀愀渀㸀㰀戀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ猀椀稀攀㨀㄀ ⸀ 瀀琀㬀昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀഀ "Verdana","sans-serif";color:#333333'>this triumph of the assertion of a ਍洀礀猀琀攀爀椀漀甀猀 戀攀愀甀琀礀 椀渀 琀栀攀 栀攀愀爀琀 漀昀 琀爀愀最攀搀礀Ⰰ 琀栀攀 愀昀昀椀爀洀愀琀椀漀渀 漀昀 氀椀昀攀⸀㰀⼀猀瀀愀渀㸀㰀⼀戀㸀㰀戀㸀㰀猀瀀愀渀ഀഀ lang=FR style='font-size:10.0pt;font-family:"Verdana","sans-serif";color:#333333; ਍洀猀漀ⴀ愀渀猀椀ⴀ氀愀渀最甀愀最攀㨀䘀刀✀㸀㰀戀爀㸀ഀഀ Photos : Greta et Emmanuel Schnetzler, copyrights.

਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ
਍ഀഀ ਍ഀഀ ਍ഀഀ ਍ഀഀ ਍ഀഀ